Joel Sax has been on the Net longer than you have.
Most likely.

Elite Syncopations by Scott Joplin | Cory Hall, pianist-composer


This colorized image is my tribute to astrophysicist Cecilia Payne (1900–1979), a woman who fought her way into science which was then strictly a world only for men. Cecilia discovered the chemical composition of stars and, in particular, that hydrogen and helium are the most abundant elements in stars and, therefore, in the universe. However, she is basically not credited at all with the discovery because of her male superiors.
Cecilia completed her studies at Cambridge in 1923, earning a B.A. degree in 1923. Since at that time a woman could only earn “the Title of a Degree,” she travelled to the US in 1923 to seek greater opportunities.
By the time she was awarded her PhD she had also already published six papers on stellar atmospheres, all by age 25.

Since her death in 1979, the woman who discovered what the universe is made of has not so much as received a memorial plaque. Her newspaper obituaries do not mention her greatest discovery.
Every high school student knows that Isaac Newton discovered gravity, that Charles Darwin discovered evolution, and that Albert Einstein discovered the relativity of time. But when it comes to the composition of our universe, the textbooks simply say that the most abundant atom in the universe is hydrogen. And no one ever wonders how we know.

— Jeremy Knowles, discussing the complete lack of recognition Cecilia Payne gets, even today, for her revolutionary discovery.

(via wooddove)

Yeah, I’ll especially try to remember the laser pointer thing.  Good reason to carry one.

Yeah, I’ll especially try to remember the laser pointer thing. Good reason to carry one.

(Source: comediva)

Poor Noid

How Domino’s Pizza Lost Its Mascot

Debussy, Arabesque No. 1

The Deux arabesques, L. 66 (Two Arabesques) is a pair of arabesques composed by Claude Debussy. The arabesques are two of Debussy’s earliest works, composed between the years 1888 and 1891. Debussy was still in his twenties. Although quite an early work, the arabesques contain hints of Debussy’s developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys, and achieves evocative scenes through music. This arabesque is in the key of E major. Like most impressionistic pieces for the piano, the opening arpeggio can suggest water flow. It eventually leads into a larger section beginning with a left hand arpeggio in E major and a descending right hand E major pentatonic progression. After a lightening of tone, the original progression returns and varies itself, turning briefly to F-sharp major, before returning to a satisfying E major section close. The second quieter B section is in A major, which starts with a gesture (E-D-E-C#), builds with rising triplets in the right hand and octaves in the left. The section ends with a bold pronouncement of the E-D-E-C# gesture, but transposed to the key of C major, played forte. The gesture is repeated in a higher register, with slight modifications resulting in a transposition back to the E major of the A section. In the middle of the recapitulation of the A section, the music moves to a higher register and descends, followed by a large pentatonic scale ascending and descending, becoming a V7 chord (B7), and resolving back to E major, before the descending right hand E major pentatonic progression is played an octave up. Both hands rise up the keyboard and closes with gentle E major chords.

Played by Aldo Ciccolini